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Ikonoskop 16mm

With a super 16mm sized sensor and industry standard I/O, the A-Cam dII shoots in the new Cinema Standard RAW: CinemaDNG. Using the P+S Technik IMS Mount, you can shoot with s16, s35, ff35 and even still glass in PL, EF (canon) and C-mount lenses, opening up the opportunities to work with whatever glass you have on-hand or choosing the lenses that fit your vision and your budget See the related article on cinema5D:http://www.cinema5d.com/news/?p=807 This is a test film for the Ikonoskop A-cam dII digital 16mm camera. It demonstrates the use of indoor and outdoor lighting, handheld use and color processin.. Ikonoskop's Digital 16mm Movie Cam: Retro on the Outside, RAW on the Inside. What's going on in the world of pro-video? First the RED ONE emerges from the company of a former sunglasses.

The Ikonoskop is a 16mm camera - a considerably smaller sensor size than the Blackmagic Cinema Camera. Classics have been shot on 16mm, but shallow depth of field has become a make or break issue - seemingly to be considered ahead of everything else even overall image quality Includes: Ikonoskop A-cam dii camera body with P+S Technik IMS mount P+S Technik C or PL lens adapters 4 x 160GB SSDs (30min record time each) Ikonoskop ExpressCard card reader (transfers one 160GB SSD in 20mins) 4 x Sony NP-F770 batteries 1 x Watson Dual Dock Battery Charger AC power adapter HDSDI video and XLR sound cables Mini Baseplate and.

This is a test film for the Ikonoskop A-cam dII digital 16mm camera. It demonstrates the use of indoor and outdoor lighting, handheld use and color processing. All images were loaded into After Effects CS 5.5 where the RAW editor was used to process the footage. - Snehal Pate The Ikonoskop A-Cam dII is currently available! Below are some examples of videos that have been shot on Ikonoskop A-Cam DII and also the cameras specifications. Please keep in mind that as both the Ikonoskop and the D16 shoot on the Cinema DNG RAW format, thus different applications have different methods for interpreting the images that have. The Ikonoskop is a very unique and very special camera. It is the perfect camera for someone who wants to dedicate their attention to the image. There is nothing 'extra' here. It is a simple, and elegant camera that removes all distractions. The ergonomics also make it great for a 'run-and-gun' shooting situation or if you are looking for a good handheld aesthetic. Daily Rate: $225.00 / per. IKONOSKOP - 16mm digital cinema camera. September 27th, 2011 in Cool Stuff / Gadgets / Hardware. On top of that there are many many great 16mm film lenses being sold on ebay as 16mm film is meeting its doom. Here, for example, is a very high speed Schneider f0.95 25mm lens for 800€

IKONOSKOP is back and with new investors - and a credible plan to move forward - the future is looking infinitely brighter than just a few months ago 2013 has been a difficult year for small camera manufacturers IKONOSKOP - 16mm digital cinema camera « Vincent Laforet's Blog. To these people I say please look at the Sony NEX VG and tell me that sensor size is still the most important ioknoskop of a cinematic image! It is extremely small for a raw camera, tiny compared to a Scarlet and it weighs approx. This is an unfair comparison because the. Filmic at 16mm Digital: In the Field with Ikonoskop's A-Cam dII . DOI link for Filmic at 16mm Digital: In the Field with Ikonoskop's A-Cam dII. Filmic at 16mm Digital: In the Field with Ikonoskop's A-Cam dII boo

Ikonoskop A-cam SP-16, kodak vision3 250D Scanned @ 2k at STOPP For anyone wanting to see how uncompressed / uncropped (super)16mm looks like - I've mad Jun 24, 2017 - The Swedish company Ikonoskop just released a new camera named the A-cam DII and qualified by cinema 5d as THE 16mm digital cinema camera. They ran a video interview with Peter Gustafsson, who presents the camera and its configuration, and that you can watch below. The body costs 7,700 euros. The camera shoots raw footage at 25 [

IKONOSKOP - 16mm digital cinema camera. A quick excerpt from the Cinema 5D article: The Ikonoskop DII records uncompressed RAW 12bit with up to 30fps. How feasible would it be for the digital cinema industry to settle on 1 or 2 universal memory options (say ″ and ″ SATA III SSDs) like DSLR and compact digital camera. This is a test film. Ikonoskop's Digital 16mm Movie Cam: Retro on the Outside, RAW on the Inside What's going on in the world of pro-video? First the RED ONE emerges from the company of a former sunglasses manufacturer, and now a completely cutting edge Super 16 replacement has sprung from Ikonoskop , a Swedish company founded by two filmmakers in 1999 Ikonoskop a-cam dII. The tiny Ikonoskop A-Cam dII digital film camera is finally ready to ship, two years after being announced at IBC 2008. It can record uncompressed HD raw from its single 2/3-inch 1920x1080 (250-300 ISO) CCD sensor to a swappable 160GB card. It uses the Adobe Cinema DNG format that can be edited by Adobe or (soon) Avid. Money started rolling in from lucrative commercials work, and with the help of Acne they began developing a prototype for what would become the Ikonoskop A-Cam SP-16 - the smallest and lightest 16mm cinema camera on the market. Olsson remembers the moment in early 2001 when he decided it was time to get going Ikonoskop, makers of the worlds smallest, lightest and most affordable Super-16 film camera, has applied their analog expertise to a new digital 16mm camera called the A-cam dII. The camera records fully uncompressed 1080P images in RAW format, weighs about 3lbs and offers compatibility with a variety of lensmounts including PL, Leica M.

Ikonoskop a-cam dII. This camera loves you, and you will love it right back! This camera features a Super16mm CCD sensor with 9+ stops of latitude, shoots from 1-30fps @ 1080p, and records uncompressed RAW CinemaDNG sequences to SSD. Available with a C or PL mount, our A-cam dii can accept any 35mm or 16mm lens. Packed into a tiny form. Ikonoskop A-Cam dll is our small and professional digital film camera for shooting uncompressed RAW in full HD. The camera is based on the principles and benefits of traditional film cameras. It has a 16mm sized CCD sensor with global shutter, built-in electronic viewfinder and exchangeable onboard battery VFX Camera Database A database of digital camera sensor sizes. Designed for visual effects professionals. Menu Skip to conten

Ikonoskop A-Cam dII - 16 BY 4

  1. A-Cam NYC is a rental service based in downtown Manhattan, specializing in Ikonoskop's A-Cam Dii digital 16mm movie camera
  2. ded folks around.
  3. Elle utilise un capteur CCD (10,6x6mm) qui est similaire au format 16mm et filme en 1920x1080 pixels sur des cartes mémoires propriétaires allant de 80 à 160 Go. Celles-ci sont d'ailleurs assez.

  1. @hudsonstafford posted on their Instagram profile: ikonoskop digital 16mm build flew nice. #steadicam #steadicamoperator #ikonoskop #arri #zies
  2. In Cinema Raw: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras, Lancaster takes you through the birth of these new cameras and includes an exclusive behind-the-scenes look at Digital Bolex. He field tests each camera and discusses the importance of shooting in raw and guides you through the raw color.
  3. The modified viewfinder has a closer field of view. All there as this has been modified but all in working order
  4. Ikonoskop have a similar raw 16mm CCD based camera and are asking for nearly $10,000 for it, not $3300. This is a project which has taken years and the camera is only now just shipping. Digital Bolex state August as their ship date for the first cameras. That is a tall order considering the software to process the raw files for your NLE hasn.
  5. Ikonoskop (2011) The idea of making a small, highly portable camera in the same vein as the 16mm cameras of the 60s and 70s was picked up in 2011 by Ikonoskop with the A-Cam DII. Less visibly retro than, say, a Digital Bolex, the dogbone-shaped camera shot 12-bit raw HD frames at up to 30fps to proprietary memory cards
  6. Ikonoskop at the start with the 16mm camera look for the rental house and filmmaker how like to own there camera. They adapting the film-body concept to digital after.( a goo idea ) Ikonoskop must stay with a better quality of the body and the image and target Rental House marke

Ikonoskop A-cam dII test film - YouTub

  1. The Ikonoskop A-Cam is the smallest, lightest and most affordable Super 16 camera in the world. デザインのポイント 1.A-Cam is extremely compact, allowing it to be used in any situation. 2.It's small size allows it to be set up in tight and tricky spaces. プロデューサー. Daniel Jonsater & Goran Olsson, founders, Ikonoskop A
  2. Selling my Ikonoskop A-cam SP-16 Super 16mm camera. Bought this new back in 2004 for a film, where it was used on a boom pole for one scene. Since then it has only exposed a maximum of 10-15 rolls. It was updated with the steel lens mount when that became available back in the day. Included in th.
  3. Ikonoskop may be better known for their built-to-order A-Cam dII digital movie camera and their A-Cam SP-16 16mm film movie camera. The company was founded in 1999 by filmmakers Göran Olsson and.
  4. Ikonoskop A-Cam DII ( 16mm cine digital, vintage film) HD. Precio 250,00.
  5. s) 4 x Sony NP-F770 batteries 1 x.
  6. These are our 'Odd Duck' lenses; they're fast, light, and sized for 16mm. If you're shooting on a Bolex, they're divine, but the 9.5mm doesn't quite make super16, meaning that you can either crop 3% of the image or vignette it out in post. The 12, 16 and 25mm are all s16 ready, which means that the rest of the range is good to go for any s16 sensors, like our BMPCC or ikonoskop

Ikonoskop's Digital 16mm Movie Cam: Retro on the Outside

  1. Ikonoskop 16mm 12bit raw digital film camera. Ikonoskop 16mm 12bit raw digital film camera. Ikonoskop 16mm 12bit raw digital film camera. Pinterest. Today. Explore. When autocomplete results are available use up and down arrows to review and enter to select. Touch device users, explore by touch or with swipe gestures
  2. As for Ikonoskop, their A-Cam dll is a Super 16mm CCD uncompressed RAW camera with an interesting physical design and great looking footage -- in a market that is filled with cheaper cameras that get you much of the way there for less money (the dII is over $10K for a working package, though I would imagine it's more of a rental for most people.
  3. Kodak 16mm purpose was to provide a cheaper film alternative to 35mm cine film. First film was the first film format to use acetate within the film construction this made it the first format to be a non flammable, Kodak safety film
  4. One of the most exciting launches at IBC this year came from Ikonoskop, a small company located in Sweden that has to-date catered to 16mm filmmakers and extreme sports applications. Their latest product is a digital cinema camera with a sensor size equivalent to a 16mm film frame
  5. Ikonoskop rates the sensor at 200 ASA with 11 stops of dynamic range. Recording takes place to Ikonoskop-designed memory cards that come in 80 GB and 160 GB sizes, and Ikonoskop sells a card reader to get that raw footage into a Mac at faster-than-real-time speeds (up to 40 fps)

Ikonoskop A-Cam dll vs Blackmagic Cinema Camera - first

  1. These are perfect for an Ikonoskop, Digital Bolex cameras, BMPC, or any micro 4/3 cameras with an adapter. All manual iris. Great vintage look. Primes included: Switar 10mm H16 RX (T1.6) Switar 16mm H16 RX (T1.8) Switar 25mm H16 RX (T1.5) Switar 50mm H16 RX (T1.4) MACRO. Switar 75mm AR (T1.9) Cost: $150/day
  2. 35mm is well served today with greatly affordable cameras readily available, so for us, we had to make the choice between 16mm or 65mm. The (now defunct) Swedish company Ikonoskop released a 16mm camera some ten years ago and at that time we were actually working on a 16mm camera (before we even started 8mm) but they beat us to it so we didn.
  3. Ikonoskop. The Passion of the Bolex. March 15, 2012. My last post focussed on some concerns and questions I had about the Digital Bolex Kickstarter campaign. Despite stating numerous times that I really want these guys to win, I didn't spend much time talking about what I liked about their project—and have thus unwittingly been cast.
  4. Back in June we reported that camera manufacturer Ikonoskop were in financial trouble, which was shortly followed by the company filing for bankruptcy. They have now announced a trio of new investors that will in turn renew and improve Ikonoskop. One of the new investors, Joachim Vansteelant has been the spokesman for the announcement: In July, Ikonoskop filed for bankruptcy

Ikonoskop A-Cam DII ( 16mm cine digital, vintage film) HD

Die kleine aber feine schwedische 16mm Kameraschmiede Ikonoskop nimmt mittlerweile Preorders für ihre sehr kompakte A-cam dll an. Wir hatten zuvor schon mal über Ikonoskop berichtet. Diesmal handelt es sich um die bereits seit 2 Jahren immer wieder mal auftauchende A-cam dll (IBC 2008, wer sich erinnert), die sich anscheinend ihrem finalen Status annähert Ikonoskop A-cam dII. PL or C-Mount. 16mm Digital Gate (Kodak TrueSense) 5x Ikonoskop SSD + Thunderbolt Reader 8x Sony NP-F770 Batteries & Charger 15mm Support + Anton Bauer Plate. Vintage 16mm Lenses: Cooke 9-50mm T2.5 Zoom (18-100 Speed Panchro Equivalent) Rodenstock Linos Primes: 12mm, 16mm, 25m, 35mm, 50mm Switar Primes: 10mm, 50mm Macr There are 8mm, 16mm, and 35mm variants. Weight - If youre planning on shooting for long periods of time, remember that the movie camera will be rested on your shoulder and plan accordingly. Video Assist - This feature allows you to view the film youve just taken. Perforation - Some movie cameras have different levels of film perforation. The. The old 8mm video camera could be making a comeback - Swedish company Ikonoskop is planning to release an 8mm version of its popular 16mm film camera, the A-Cam SP16. It will be the first new 8mm.

Ikonoskop has made a camera unlike any other. A 2K RAW camera with a CCD sensor the size of super16 negative, it has an interchangeable mount system (C-mount or PL-mount) allowing you to use a wide range of 16mm lenses Read about Interview with Ikonoskop on the A-Cam dII Digital 16mm Camera by www.FreshDV.com and see the artwork, lyrics and similar artists Digital Bolex was a partnership between Cinemeridian, Inc. and Ienso Canada, an engineering company, to develop the Digital Bolex D16 digital cinema camera. Development was funded via a successful Kickstarter in March 2012, raising $262,661.. On June 27, 2016, the company announced on its website that it would no longer be producing cameras as of that month, and would shut down its online.

Ikonoskop A-Cam DII

De eerder genoemde A-Cam van Ikonoskop is met een prijskaartje van ongeveer 9000 Euro overigens wel aanzienlijk duurder dan de Digital Bolex. Maar over de vormgeving sprekende moet ik, alhoewel ik slechts af kan gaan op digitale schetsen, wel een dikke kritische noot bij het ontwerp van de Digital Bolex plaatsen A comprehensive list of Kern-Paillard, Hugo Meyer, Goerz, Wollensak, SOM Berthiot and Angenieux motion picture lenses of the 1930s, 1940s, 1950s and 1960s Focus Film AB, Torsgatan 38 Stockholm. Scandinavia's only film lab. Film stock sales, processing 8mm, 16mm & 35mm film, dailies and color grading. Polyester Film. December 31, 2016 · Coffee was shot at Drop Coffee in Stockholm in June 2012 by Peter Gustafsson and Per Svensson with the Ikonoskop A-Cam dll camera Sometimes the best camera for the job is the one you already own Even if it's 6 years old, only shoots 1080p and has since been replaced by newer iterations. I have long been a huge fan of the Super 16 look, and there were only really ever two cameras that could scratch that itch: The Digital Bolex and Blackmagic's original Pocket Cinema Camera. Unlike virtually every other cinema. That will serve until the Bolex, or some other modest priced 16mm lens compatible raw camera, comes to market. We need an efficient compressed HD video camera to produce art demos and teaching DVD's for my wife. But that is a separate thing from the raw motion acquisition that I want for some experimental fine art video work. Video cameras just.

Ikonoskop — RawCinemaSho

IKONOSKOP - 16mm digital cinema camera. September 27th, 2011 in Cool Stuff / Gadgets / Hardware. 11 Comments ». Sony NEX-F3 Digital SLR Camera Kit with 16mm Lens. Also Includes: 3 Piece Filter Kit(UV-CPL-FLD), 16GB Memory Card, Memory Card Reader, Extended Life Replacement Battery, HDMI Cable, Table Top Tripod, LCD Screen Protectors, Cleaning Kit & Large Carrying Case. : Amazon.com.mx: Electrónico

Retro Thing: Super 16 Filmmaking Goes Digital

Ikonoskop A-Cam dII - CCD Cine 1

Ikonoskop A-Cam DII - CCD Cine 1

1.4m members in the Filmmakers community. Filmmakers, directors, cinematographers, editors, vfx gurus, composers, sound people, grips, electrics Ikonoskop A-Cam [Ikonoskop Super 16 A-Cam] Domain/Category Product Design - Cameras and digital cameras Company Ergonomidesign (Sweden) Award Number 04A03124 Outline of Good Design Award winners Outline of Good Design Award winners 2004 Outline * The shown information is the one as of the awarded date and might has been changed. Produce i wouldnt mind about a super35 version too, but i think for now we`re fine with 16mm; PS: I know thats basically the Ikonoskop A-cam dII, but i could never afford a 7k - super16 cam, so i thought. because i kinda gave you the idea so if you got one ready for me, just leave a pos 16mm was also used in the movie, Moonrise Kingdom. Digital 16mm: Numerous digital cameras tend to approximate the look of a Super 16mm format by using Super 16mm sized sensors as well as Super 16mm lenses. These cameras happen to include the Ikonoskop A-Cam DII (2008) and the famous Digital Bolex (2012) Cinema Raw: Shooting 16mm With the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras - FashionBaju.co

IKONOSKOP - 16mm digital cinema camera « Vincent Laforet's

Ikonoskop A-Cam DII ( 16mm cine digital, vintage film) HD. Precio 250,00. Ausgelegt auf 16mm, wobei bei kleineren Formaten dann ahlt zu große Objektive verwendet würden, dafür wird aber die Variantenvielfalt der Gehäuse reduziert. Die Firma Ikonoskop wollte ja mal von der A-Cam eine DS8-Version herausbringen, aber offenbar gibt es nicht genug Käufer, da sie wohl für viele Interessenten unerschwinglich ist The price drop on the Super 16mm lenses drove me to the Ikonoskop camera, so I started flirting with the a-cam dII for the past 4 months and when I finally found a set of Zeiss super speeds I ordered the camera. Using cine lenses on a digital camera like the Ikonoskop feel's like shooting with my little Aaton Kodak Standard 16mm. Standard 16mm film is 10.26mm by 7.49 mm in size with sprocket holes on each side of the film. This is known in the film industry as Double-perf. Kodak Super 16mm. Super 16 developed in 1969 has a single sprocket hole down one side of the 16mm film. This leads to a larger film area of 7.41 mm x 12.52mm

IKONOSKOP is back and the future for their 16mm raw

16mmフィルム は歴史的に人気があり経済的な ゲージです フィルム の 。 16mmはフィルムの幅を指します。他の一般的なフィルムゲージには、 8 および 35 mm が含まれます。これは一般に、非劇場(産業、教育など)の映画製作、または低予算の映画に使用されます Find many great new & used options and get the best deals for Cinema RAW: Shooting and Color Grading with the Ikonoskop, Digital Bolex, and Blackmagic Cinema Cameras by Kurt Lancaster (Paperback, 2014) at the best online prices at eBay! Free shipping for many products හොට්ම හොට්.. පට්ටම කැමරා කීපයක්.. මෙතන තියනවා කොල්ලනේ අලුත් භාණ්ඩ කීපයක්.. JVC GY-HMZ1E 3D Full HD 64GB Pro Cam JVC's GY-HMZ1E 3D Full.. Ikonoskop (2011) 2011年,瑞典摄影机厂商Ikonoskop制造出了一款像上世纪60、70年代16mm一样小巧、高度便携的摄影机A-CamDII。 在当时,这台狗骨头一样造型的摄影机,居然可以拍摄12bit,30fps的高清raw素材,其出色的画面质量以及16mm胶片一般的色彩质感,受到了世界各地.

Ikonoskop Digital 16mm Movie Camer

The Cool Cam Super 16 Any above model can be configured for the Ikonoskop A-Cam & Aaton Minima, both amazing new Super 16mm film cameras. 3, a 16mm T1. Aaton ltr Aaton metal case. 16mm 24M 80Ft 電気 D: Save aaton 16mm to get email alerts and updates on your eBay Feed. 2 freshly celled batteries. 5 C Mount Cine-Telephoto Lens for 16mm Bolex. It was appropriate to use the Ikonoskop A-Cam DII on a test shoot that has a mixed feeling of old and new when the camera creates images that feel the same way. Ikonoshop Continued. Camera: Ikonoskop A-Cam DII Lens: 16mm Zeiss Superspeed MKI T1.3 Filter: Heliopan 58mm Variable Gray ND Filter Dailies were processed in DaVinci Resolve L'équipe a donc préféré proposer une caméra 2K en Raw enregistrée sur un capteur CCD, pour 3000$. Compatible avec des objectifs Zeiss, la caméra devraient enrichir son panel de montures, et se placer sur le même segment de marché que les caméras de Ikonoskop ou Blackmagic. Un film a déjà été tourné à l'aide de cette caméra That goes double for the Ikonoskop A-Cam dII, the $10,000, 16mm-sized-sensor, CinemaDNG raw-recording Swedish masterpiece. It's sufficiently different from the BMDCC that there's almost no overlap in functionality—aside from using CinemaDNG to record raw footage, of course 16 mm film is a historically popular and economical gauge of film. 16 mm refers to the width of the film; other common film gauges include 8 and 35 mm. It is generally used for non-theatrical (e.g., industrial, educational) film-making, or for low-budget motion pictures. It also existed as a popular amateur or home movie-making format for several decades, alongside 8 mm film and later Super 8.

Filmic at 16mm Digital: In the Field with Ikonoskop's A

Pour ce qui concerne les caméras, photo ou vidéo, dédiées au seul noir et blanc (Ikonoskop, Red, Leica M) là aussi le procédé consiste à simplifier le traitement en retirant le filtre de Bayer, qui nous l'avons compris ne sert qu'à injecter des informations de couleurs dans le traitement de la lumière reçue par le capteur Ikonoskop had been dropping the price of the A-Cam dll Camera for months. Bugger didn't help. This is why we created the A-Cam dll camera, designed to be a professional digital 16mm film camera. To shoot with it you only need to set the frame rate, shutter angle, gain, aperture and the focus, that's it Cameras: Bolex Super-H16, Bolex Super-EBM 16mm, Ikonoskop Dii Telecine: Frame Discreet, Toronto Music Performance: Kenneth Balys Post Production: Beatkamp, Special Circumstances Mastering: Beatkamp, Special Circumstances From Album: Kolophonium, Dada Pogrom Artist: Dada Pogrom Fair Use Agreement Filmer avec une Bolex 16mm en 2012, en numérique? capable d'enregistrer sur des cartes CF ou sur des SSD en format Adobe Cinema DNG à l'image de nos amis d'Ikonoskop qui font un très beau travail eux aussi dans le style 16mm mais dont la caméra se limite elle à de la HD. Ici on aura en plus deux entrées XLR et une alimentation. The Ikonoskop wins in terms of formfactor ower the Digital Bolex and the Blackmagic. I think Digital Bolex D16 and Ikonoskop A-cam DII could be comparable in terms of immage in RAW. Digital Bolex can record ProRes, Ikonoskop only with a KiPro or similar atached

Ikonoskop A-cam dII, photos of at DVinfoMovie Cameras - Retro ThingIkonoskop A-Cam dII – 16 BY 40

But don't discount 16mm sensor size. Two years ago, a film shot on Super 16 won the Best Picture Oscar—and was nominated for Cinematography, where it lost to a movie shot on 2/3 digital cameras. This camera almost already exists in the form of the A-Cam dll from Ikonoskop, a Swedish 16mm camera manufacturer. You can order one now for €. Father Tommy 63 and 30 year old Son Lasse set out to build a better ikonoskop camera but soon realised Super 8 was the path to take. The pair have even incorporated Mars Rover technology into their Logmar Super 8 camera. Initially, Lasse wanted to create a 16mm camera because 16 simply is more than 8″ Bolex got the color a bit saturate and also the gamma look to be increase this gamma made the image look less flat. yes its remember me also a 16mm print how was over exposed a little. ikonoskop got a nice image look and well made dissing for a documentaries camera except the viewfinder angle and the price to high for what you got So is the new Ikonoskop A-cam dII the digital cinema equivalent of the 16mm film format? I've seen several posts on this camera (apparently it was previewed at IBC) today and it looks really cool.. And then you've got the rebel/indie factor. I've shot a lot of 16mm film and there is always a bit of an independent filmmaker feeling when you know you can't afford 35 and you are working. 16mm (Normal, Super) 8mm (Normal, Super) 65mm IMAX----- DIGITAL CINEMA -----(including all resolutions and shooting modes) AJA Cion ARRI Alexa ARRI Alexa 65 ARRI Amira Ikonoskop A cam dII Kinefinity TERRA / KineMAX / KineMINI Panasonic AF101 Panasonic VariCam 35 Phantom Flex4K Phantom Flex Phantom 65 Phantom HD Gold PS-CAM X35 RED On